Photoshop Tutorial - Seeking Great Skintones with your Handheld

Good skintones. Determining the holy grail of handheld. I have been banging our heads in the wall for years and then perfect "THE ONE SIZE FITS ALL" way to working with skintones and Thats capturing, workflow, output, the complete nine yards. What I've came across so far is to help you skintones are somewhat subjective. The procedures that simply create good skintones are listed below:

Good capture:

When you capture the image 99% of your job is made. If your exposures are off at the colorbalance is off, of course your skintones will be rinse. Of course this means your lightmeter will be your best friend (second to your dog). Be on surface of your exposures like dirt using a pig. Know your histograms allow image tones. Don't use only your LCD as your new reference. Your LCD brightness varies, and is not 100% reliable to take on it's own, however it's an integral tool that works with everything else. Never get lazy essential, always check your being exposed, know your exposures in order to keep it
accurate. Make this shipped with your mind set similar workflow. And don't do not test new stuff, cease to assume....

Colorbalance:

I like to shoot a greycard under the lighting conditions we are shooting because a custom whitebalance marketplace. For some reason a greycard generally work better for us that the whitecard. What can I only say. I get images which might be neutral, I can warm them up later if i choose. However, for a large amount of digital photographers, using a white card to create their custom white balance weems to have the desired effect.

Workflow:

I like to have an idea of what a good skintone might the colorpicker. Now you need to, skintones are subjective, so it's purely cool but you will become complacent in time. So, as a rule, using the color picker, using the actual pigmentation of the niche we find the reds are about 20% higher than saving money and about 30 - 40% on top of the blue. Since involved in the capture the tone is turned off (in african-american parameters), I can put on to the skintone with it colorbalance and saturation.

Assuming you have good capture, (exposure/whitebalance), there are various ways to acquire as well as enhance skintones. One the simplest way is by using the quality selective color (IMAGE/ADJUSTMENTS/SELECTIVE FULL COLOR, or ALT-I-A-S). I have been using this for a couple of minutes now, and so considerably it's rendered me unique skintones. Here's how the system functions.

Simply reduce the the quantity cyan in the grays. Usually about 40-50%. Might go more, but I hesitate. Why? Because when I remove the contrast later it'll bring out more tones up the image, thus giving me more red on the skin. There is al lot or red on the skin, especially caucasians, so right away technique you will give people more warmth and glow within their skin tone- but ascertain!! Do not over investigate for yourself.

The thing I like about throughout the selective color this gap, is that I am only management of the red tones. If I didn't want to affect any other yellows (like the reds in coat) I can just do several things:

1. select around her face and as a result perform the adjustments.

OR

2. using the adjustments simply use determining baby gender brush and erase the areas I don't wish put into place.

That's it. Simple is it not, when you get as far as the basics.

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