Sunday, November 17, 2013

Andrew d Scoones - Legendary Underwater Cameraman!


There actually is little, if anything, that Peter Scoones doesn't know about underwater video making. A BAFTA and two Emmys overlooking numerous other awards are evidence of his creative achievements. Nevertheless it is Peter's dual expertise in a choice of beautiful, artistic cinematography and innovative technical wizardry that produce him both unique and extra-ordinarily accomplished about this challenging field. His creative talent captures him many times around the globe for a string of an unrivalled wildlife documentaries, many for the BBC Natural History Unit together with perhaps the greatest and distinguished wildlife presenter ever known, Sir David Attenborough. At the moment though, he also designs, builds and maintains the actual time his equipment and remains at the very cutting edge of his or her field today after most underwater career spanning every one five decades.

He made his first film upon an 8mm camera in some kind of homemade Perspex box during the early 1960's, using only as compared to mask, snorkel and fins. From there he has progressed to become one of the leading wildlife natural history underwater cameramen everywhere around the world. When I arrived recreate interview him at his hackney flat he was designing a new viewfinder because the cameras he uses have changed their shape and size. "Necessity is the relative of invention" says John p, and never was it more applicable rather than this exceptional man.

Born as a result of Wanstead, North London in 1937 up to the sailing family, a upside down career seemed almost crucial. After school he qualified this way naval architect but on subsequently passing the doorway exam to the Regal Naval College at Dartmouth intended for commissioned officer training, their own initiative eyesight was tested decrease standard. So, when The us Service loomed, instead of two years for being naval clerk he opted in for nine years in the RAF "to learn one thing useful". That something has been photography.

At the time, Peter was a risky or expensive racing sailor "I'm these kinds of chap who is 100% along with whatever activity I was doing, nothing else intrudes" he tells. Posted to Singapore, he headed the RAF sailing team. The fast, keeled venturing out boats became sluggish where coated in marine plankton and hauling them on slipways was time-consuming and many cumbersome. Instead, the team borrowed masks and snorkels having the Navy and scrubbed the property hulls underwater. Having never previously considered ought to under the yachts he raced, Peter observed whatever they shoals of pretty, colourful fish food intake the debris. Around once Hans Hass's boat anchored nearby and Peter has a 'eureka' moment. Hass was already his or her hero and Hass's presence the place lovely marine life meant the area seemed to be prime location for the attractive images he had seen on tv and in the cinema.

So, after persuading the Navy to train the basics on their clients O2 rebreathers they built up a diving club. "The ROYAL AIR FORCE disapproved of diving, considering it a dangerous activity, absolutely we ignored them" John p grins. Due to limited ink jet printers they became highly good at snorkelling and learned over skip breathe. "I am quite sure hold my breath water for 3-4 minutes, I still do it. You can't film life style breathing it disturbs for, makes you wobble". Because of the fact lack of kit, this way temporary measure using RAF machine shops, recycled aircraft oxygen tanks together with other hoses Peter built a lot of different aqua lungs. "Demand valves are fairly simple things" he says, while having typical understatement and modesty.

Already straight into the the underwater world produced by snorkelling, Peter's first ever dive, off Palau Tekukor nearly 50 long ago, was not without performing arts. Attached by rope "the reservoirs were very valuable, we didn't want to lose one" he floated over the drop-off and with "wow" in her lips as a education of batfish wafted delicately by he was all the way through captivated. With his skip yoga technique he stayed down far very expected for the air with the tank, so the community began hauling the piece of string in. As he could be drawn inexorably towards a wide cluster of nasty dark sea-urchins, the stings of which is often very painful and definitively serious if multiple, he planted his feet firmly on the web wall and pulled as hard when he could. Not only is doing his first dive property beauty, awe and worry, he also incurred the wrath of china and taiwan boxing champion who he or she pulled into the water on the other side end of the string.

Peter was keen on wildlife and photography as school days, so all this was not long before his joint passions of image-making, diving and nature gathered. Ever inventive, he definitely scavenge discarded, scratched aircraft windows returning the company stores and claiming a replacement, thus acquiring pristine sheet sets of Perspex to design housings from. He released cement from Perspex fries dissolved in chloroform, controls from used hydraulic linkages and created waterproof shafts - which had been before o'rings were available. Unlike today when you can buy a housing off the property shelf, there was nothing for this but to build her own and in this he was generally pioneer. "There was the Rolleimarin created by Hass but that were previously way outside our financial predicament, Nikonos which evolved out of Cousteau's Calypsophot didn't arise until 1963, necessity is the mother of invention - whether or not it doesn't exist, build it". There were that signature phrase repeatedly.

Tending towards moving sport he housed a Bolex C-8 8mm cine edition and shot his maiden travel piece. He then moved at Singapore to Aden at a negative balance Sea and created their first feature film 'Breathless Moments'. This won the gold medal for that first Brighton film festival in 1965 and led to several production companies contacting him wanting to distribute the film. Absolutely, with great disappointment that transpired the 8mm media wasn't production quality and do not be used commercially. Andrew d immediately rejected 8mm, obtained a 16mm camera and alleged "I could never afford to film personally again. The film was so expensive May to get paid in order to fund it".

Around at this point he co-founded the English Society of Underwater Photography addicts (BSoUP) with Colin Doeg. Colin, a journalist after, has himself contributed really to British underwater photography including taking first picture in British waters ever to win an open international seaside photographic competition. BSoUP is still tragedy strong today boasting membership from many of the foremost underwater photographers in england. Having just celebrated that's not 40th anniversary, Peter and Colin carry on to be both regular attendees lets start on meetings in London, a proof of the down to earth nature of kinds of amazing men.

Says Colin "being an amazing camera mechanic as well as accomplished photographer helps Andrew d handle with aplomb the most dreaded event in buy a underwater photographer's life... that from flood. It is an unforgettable experience to see him smoothly pour pints of sea water through his custom-made camera housing and begin to salvage his expensive video camera anywhere on land simply sea. Surrounded by an awe-struck audience in many an ashen producer or client - when called he'll strip his camera impacted by its carcass, wash and sun-dry full vital electronic circuit boards and it working again after as little as a couple of hours".

Colin continues "Peter is amazingly hugely talented and is among the most most self-sufficient wildlife underwater cameraman over the world. He has introduced great ideas, including the use of polecams and cameras slung beneath remote control rafts. In the early days in england he pioneered the concept of standard sized openings in the body of housings so the precise ports were interchangeable, something we all miss today. He also once upon a time produce correction lens by having raw Perspex and blow the mans dome ports".

At the end of his nine timeframe stint he left the actual RAF and joined a colour laboratory in the us. For the next a long time he absorbed as much as possible about underwater filming. To supplement his strong technical background optical knowledge he thoroughly researched and study everything ever written about them, teaching himself. "I learnt from anyone could tell me" he tells, "I was a cloth or sponge, soaking up everything i always needed".

During this time Peter became involved in a production company and continued to fret the boundaries of marine filming. Combining his as of the moment extensive knowledge with an electronics expert colleague, they invented methodologies for the oil industry. It's really a project was developing inspection cameras within the BP offshore oil package. The only other equipment item was inadequate for the fewer visibility of the North Sea. So, necessity whether they should call again, they developed a camera dependant upon the silicon-intensified technology being used for NASA which functioned getting through low-light and worked far from others from the platform with no need of divers.

Their reputations spread and then a day there was a knock around door of the seminar in Richmond just external London. It was David Attenborough (subsequently you can Sir David) and a colleague from the BBC Semi-automatic or fully automatic History Unit who wished to film a live coelacanth in existance low-light conditions, something which in fact have never been done right before. The primitive looking, pre-historic coelacanth, that also lives around 1, 000ft fluffy, was only re-discovered in the past century after scientists thought entirely was extinct along with really the only dinosaurs, 65 million years earlier. Attenborough was heading in cyberspace Comores islands inside of their BBCs 'Life on Earth' series to follow up reports of capital fishermen hauling coelacanths from all the deep. He had featured Peter's camera and chooses to hire it. Peter removed his opportunity. Not only had he information about the coelacanth in school and long harboured an ambition to film it, but he also knew his camera had been a completely unique and innovative asset this individual was certainly not going to hand over for someone else to use. "I told them many have my equipment related to free" he recalls "as long as they definitely paid for me at this point them and operate it".

Thus began Peter's traditional involvement with the BBC while in 'Reefwatch', 'The Trials of Life', 'Sea Trek', 'Life towards Freezer', 'The Blue Planet' and 'Planet Earth' which had been the first broadcast in hd, among many others. 'Reefwatch' filmed towards northern Red Sea was significantly ever live underwater news reports. At the time, production quality camera heads are not integrated with any health care history device, thus filming was provided by passing the image within their surface where it is actually adjusted and recorded. The BBC technicians in Bristol were developing his or her cameras "but their tactics was limited" Peter product recalls "I knew their equipment wasn't for you to suffice, but they were disinclined to become a external freelancer. We made my own glasses. It was less attractive and elegantly engineered any theirs, but it out-performed the products every time".

During 'Sea Trek', Peter enhanced the polecam that they had originally invented with regard to many filming killer whales in Norway into an Australian broadcaster. The whales would not approach if had been a diver within the water so Peter put the camera on a pole to your bow of an water boat and drove as well as the creatures. The resulting film, 'Wolves of the sea' included significantly recording of whales 'carousel feeding', herding the herring into balls next to the surface then using their tails to stun this situation before scooping them released. With the modern proliferation of wildlife films and tourist excursions this valuable behaviour is now observed out of your wide audience, but then it was completely new. Can be went on to please the annual Wildscreen Celebration. For 'Sea Trek' Peter applied polecam to film dolphins even though Bahamas coming towards the boat it is going away, this was one more thing first.

Peter's next discovery was 'the dog'. He developed remote capability by ordering a broadcast quality recorder and housing it, connecting it to your camera by umbilical wire and ensuring the device was neutrally buoyant therefore it would follow him within the water. He developed the camera controller or console from scratch, making a colour viewfinder the doctor could control the icon. No longer was he simply by an onshore technician. This was a revolutionary development and used right up until the BBCs spectacular 'Life inside of the organization Freezer' displaying life inside the Antarctic in 1993, again with David Attenborough. During this time period broadcast quality camcorders popped which Peter housed for that reason everything was finally multi functional unit.

The following years brought a good assortment of projects including, as a result of 1995, 'Great White Shark' portraying the natural behaviour of significant whites in California and Nigeria. He still considers this the definitive depiction of rogues magnificent creatures, and just about any expresses this with limited arrogance, simply as while they are. Peter is often packaged on filming projects through his wife Georgette Douwma who wants to be a highly accomplished photographer in their right. The couple compliment your sex partner delightfully with the relaxation of very good, old as well as family also provide support also in strength where needed.

The BBC's blockbuster broadcast tv 'The Blue Planet' taken back next and Peter's skills were tagged by Sir David Attenborough therefore: "Peter has a good gift of composition. He understands fish akin to other cameramen understand chimpanzees. He knows fish so well when called he'll sense what planning do. You can listen to it in his footage. He moves if a fish move. We told him to go to his favourite destination to create the footage for your favorite shows, " Attenborough says. "We would construct the story to use it. He went to Sipadan and resulting film won a Palm d'Or to our Antibes film festival and then in France. "

Peter's most rewritten, major involvement was with human being BBC/ Attenborough landmark 'Planet Earth'. This was right the main topic on technological advancement using High definition (HD) technology for the first time. Aware of technical challenges on 'The Blue Planet' the actual series producer Alastair Fothergill approached Peter every year before filming and asked him to begin the HD housings. Peter feared he would invest much hard work creating high quality, top-end equipment just to see it hired trying to other cameramen rather compared to filming himself, a objective he was distinctly insecure with. On assurance however be fully involved he went ahead using the build, only to pick an appropriate of his fears took the train realised with less guidance than expected. Apart up the frustration, this had inside a real effect on your boyfriend's income. To balance buying, after 'Planet Earth' decided, rather than the equipment remaining around the BBC as is usual Peter insisted it be possible returned to his ownership in which he now hires it created himself, maintaining it, continually developing it just yet shooting himself where possible. His current involvement operate in the BBC's next great wildlife epic entitled simply 'Life'.

Peter's long and prolific career isn't without hazard, like and also he was speared using only an elephant trunk inside of the organization murky waters of really the only Okavanga Delta while filming for The globe leading to extensive health care work. His life has been very likely to wildlife too many times to refer here, but he approaches these natural dangers with a decent typical relaxed philosophy. At the moment though, there is something he admits to being terrified of. "Ropes and regulations will likely kill you" he stocks. "Once when filming increasingly more cable burying device our own HSE advisor insisted We had been attached by rope my partner and i could not independently put out. I blankly refused last of all he compromised so i could release it myself. All right, the rope became trapped inside the given bulldozer-like vehicle and There we were drawn towards the burying tool. If I hadn't been able to release it I will bookmark be dead, without believe. When I surfaced, he angrily declared he have a preference a dead diver in water than someone surfacing all of the sudden. I have been crucial anti- HSE, not to mention ropes, since then".

Peter is intensely environment friendly. He eats fish, but not reef fish "it seems a trifle nonsense to go filming them be equipped for back and eat them". He also invests clean-up time on a reef before filming, clearing discarded fishing queues and ropes "it's amazing kinds of rubbish comes from fishing vessels, often operated by ex-fishermen who regard the ocean as somewhere to throw-away rubbish. They don't detect the reef or what it's good to see on it, as they do not see it".

It would be forgivable when it outstanding and uniquely talented man were to have a sense of arrogance anticipations of your partner conceit about his quite a few pioneering and unprecedented achievements. Not so. Peter became a true genius, but still proud to share his awareness and discuss any sale with openness and generosity. "I'm just a chap who is learning how to take excellent pictures underwater" according to him. It sounds falsely limited, but he really course it.

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